I was given film books at Christmas which had pictures of cameramen sitting on cranes, and I got more and more interested - principally in the movies coming out of Hollywood. “So I kind of latched on to cinema from that very beginning and it got to the point where my brother and I would go see everything. “I think the first film I saw as a child was Bambi,” he readily admits. Some images may be additional or alternate.īut as Méheux explains, his career in cinematography began much earlier. This article originally appeared in AC, Dec. The pair had initially met in the 1976 on Black Joy, a feature produced by Campbell which marked Méheux’s end as a BBC cameraman and beginning as a freelance cinematographer. And little does 007 know, but someone from his past is on their side - the supposedly dead 006 (Sean Bean).īond fanatics will also recognize “GoldenEye” as the name of Fleming’s beachfront Jamaican home, where he penned the innuendo-and-action-filled 007 novels between 19.Įscorting this typically outlandish premise (scripted by Michael France and Jeffrey Caine) to the screen are New Zealand born director Martin Campbell and British cinematographer Phil Méheux, BSC. Neither SMERSH nor SPECTRE is behind this fiendish plot this time, the covert cabal is the all-too-real Russian mafia, which is willing to blackmail the world with GoldenEye’s ability to zap the Digital Age back to the Stone Age. One blast from its super-destructive electromagnetic pulse weaponry will wipe out a country’s electronic infrastructure forever. GoldenEye, the 17th 007 adventure, finds the globetrotting, vodka martini-drinking super-spy (Pierce Brosnan, the fifth actor to take on the coveted role) faced with a high-tech Armageddon, as the titular ex-Soviet military satellite falls into the wrong hands.
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But while recent developments in geopolitics may have spelled obsolescent doom for the real cold warriors within Her Majesty’s Secret Service, novelist Ian Lancaster Fleming’s dashing Bond character has found the New World Order chock full of worthy foes to thwart.Ĭlick on the image for our complete Bond article collection.
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No and last updated in 1989 with License To Kill. If it was good for anything, the Cold War at least offered grist for the high-adventure film mill, resulting in the enduring, influential and entertaining James Bond series - beginning in 1962 with Dr. Unit photography by Keith Hamshere and George Whitear, courtesy of United Artists
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